Author: Evad

Review: NYX: No Way Home #1

This week in selecting comics to review, I picked books that I would probably not read under normal circumstances. The first book I read was the new Venom mini and I was pleasantly surprised. Next I selected NYX. I had no knowledge of the previous series and had no idea what to expect. Having just finished the first issue, I think I get the general idea. It’s to be about some down on their luck kids with superpowers trying to get by in New York City. And that is where they lost me. I feel fairly certain this book was not written with me as part of its intended demographic; however, it was a professionally done book. Now you’re probably asking yourself if I have to be part of an intended demographic in order to enjoy something. The answer to that is, without a doubt, no. However, based on the way it was written, I’m not sure it’s intended for new readers. There were several times while I was reading that I felt as though the writer was assuming I already felt a connection to these characters, so instead of trying to develop that connection it was glossed over. All the hooks intended to create some kind of connection between reader and story seemed to rely on what has come before. Again, this may have to do with demographics; I’m not a 15-year-old girl living on my own in New York city. The narrator, Kiden, is exactly that. I remember being a 15-year-old boy and thinking 15-year-old girls were great, but now at over twice that age I’m not really that interested in the daily life and culture of the female teen world.

The writer, Marjorie Lui, captured the voice and attitude of a young girl very well, and Kalman Andrasofszky did wonders capturing and showing the body language, facial expressions, and movements of not only of Kiden but all the other people in the story. The way Lui sets up the scenes and moves the plot along is great. The transitions from scene to scene worked well, and there was no point in the story that was bogged down or confusing. Andrasofszky’s art was a high point for me. It was very realistic without going over the top. He didn’t render each hair or fill in every detail, but everything was carefully detailed giving just enough to make everything feel solid and real.

So where does this leave you, the potential reader? Well, if you’re a fan of the previous mini series, pick up this one. I think you’ll be pleased. If you didn’t read the previous series, pick it up only if the premise is interesting to you. However, I would not recommend this book as an impulse buy.

COVERS BY: ALINA URUSOV and JO CHEN
WRITER: MARJORIE LUI
ARTIST: KALMAN ANDRASOFSZKY
COLORS: JOHN RAUCH
LETTERS:JOE CARAMAGNA
EDITOR: JOHN BARBER
Parental Advisory …$3.99

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Review: Venom: Dark Origin #1

Yeah, okay, where to start? I guess, as Eddie Brock would want, with the truth. I hadn’t intended to read this series. I’m not a fan of Venom. Now I’ve enjoyed his appearances over the years in Spider-Man, but have never picked up any of the series focusing on him. This was going to be no different, to my mind. Of all the titles coming out on August 6th, I’m not even sure why I decided to read this one first, but I did and I’m glad of it. This first issue is not dedicated to the origin of Venom, but rather focuses solely on Eddie Brock. Let me just say this, by the second page I had decided that Brock was waaaayyy more messed up then I ever imagined. I always saw him as a guy who made some bad choices and that his erratic/psychotic behavior was a result of his bond with the symbiote. Evidently this is not even remotely the case. This issue shows Brock’s life from elementary age up to college. We only see little snippets, but they are very telling. Within the first few pages, pages that are previewed here for you, there is an implication that Eddie Brock may have shown some early indications that he was a serial killer in the making. Or perhaps a spree killer.

Zeb Wells does an excellent job of creating interest in a character you thought you already knew. Usually, when reading a comic, or any bit of fiction really, there is the hope for some surprise twist in the story, something you didn’t see coming. The interesting thing about this story is I didn’t see the tone or direction of this story coming. Perhaps I should have, though, because it makes perfect sense. Eddie Brock becomes a much more interesting and compelling character. The question this all raises in my mind concerns the morality that played a fairly important role in Venom’s attitude toward protecting innocents. As I’ve said I’m no Venom scholar, and my recollection is vague, but I always thought his goal was to kill Spider-Man and protect the innocents. Wells may be intending to change things up a bit. I’m very interested to see where he goes from here.

The art on the book was excellent. I’ve always associated Angel Medina with Spawn, a character created by Todd McFarlane, so it seems a natural fit for him to be working on Venom, another McFarlane creation. Well, partially created by McFarlane. Anyway, the art matches the tone of the story wonderfully. It is a very detailed, but strongly cartoon based style with great use of cross-hatching, contrast, angles and perspective. The inker for Medina is Scott Hanna and colorist is Matt Milla. These three work seamlessly together. I would love to see the work at each stage to really get a feel for what each artist added to each page.

Venom: Dark Origin #1 was an interesting read, adding a great deal to a character who’s been around for quite awhile. The great thing about it is you don’t have to be a fan of Venom or Eddie Brock, you don’t have to be reading Spider-Man, or even have any knowledge of either character, really, to enjoy this book. It’s really an excellent introduction to the character. For long time fans, this starts at the beginning before Eddie Brock was Venom, so I think it’s safe to say, you’ll want to read this, too.

Surprisingly, recommended for any fan of Marvel comics.

COVER BY: ANGEL MEDINA
WRITER: ZEB WELLS
PENCILS: ANGEL MEDINA
INKS: SCOTT HANNA
COLORS: MATT MILLA
LETTERS: JOE CARAMAGNA
EDITOR: ALEJANDRO ARBONA

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Review: Ms. Marvel #29

I haven’t really been following this title, and now I’m very, very sorry. I also haven’t been following every tie-in with this event, but I’ve been following some of them and this is one of the few issues that has been entirely in the present. This is what I’ve been looking for in the narrative. Battles against overwhelming odds, chase scenes, and a surprise on the last page to get you ready for the next issue. What more can you ask for?

Brian Reed tells the tale of what happens to Ms. Marvel as one of the only heroes fighting the Skrulls in New York. I don’t know where all the other heroes in the Marvel U are, but I can tell you where the Skrulls are. Well, actually I can’t because they seem to be popping up everywhere, but there are a boatload of them in this issue and Mr. Reed makes it clear that they don’t like Ms. Marvel, or her resistance to their invasion, very much.

Doing a fine job on art, we’ve got Adriana Melo on pencils, Mariah Benes on inks, and Paulo Siqueira on pages 11 – 16. They convey the scale of the invasion and the overwhelming forces the heroes face beautifully. Now, I generally try to keep my reviews on the positive side but I have to interject here that while the art is well done, it doesn’t really do anything for me. These are professional comic book artists who have achieved mastery of their art form, so I don’t want to take away from that, but I didn’t feel that this was the best this book could have or should have looked. That said, the story does move along well and is one of the best tie-ins I’ve read so far.

Recommended for anyone following Secret Invasion.

COVER: GREG HORN
WRITER: BRIAN REED
PENCILS: ADRIANA MELO and PAULO SIQUEIRA
INKS: MARIAH BENES and PAULO SIQUEIRA
COLORS: CHRIS SOTOMAYOR
LETERS: DAVE SHARPE
EDITOR: STEPHEN WACKER
Rated T+ …$2.99

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